Skip to main content

Curtains 5 min read

Are thermal curtains worth it?

Large reception room with floor-length neutral curtains at every window, two tan tub chairs, a statement pendant and alabaster wall lights
Floor-length curtains at every window

Thermal curtains can be worth it, but the lining is only part of the answer. How well curtains hold back the cold depends just as much on fit: full length, hung close to the wall, wide enough to overlap and closed at dusk. A well-fitted lined curtain can do more than a thermal one that hangs badly.

What is the difference between thermal, interlined and standard linings?

The names are used loosely, so it helps to know what each one means. If you are unsure how a particular lining is built, ask the maker to show you a sample.

Lining What it is What it adds
Standard lining A plain cotton or cotton-mix layer sewn behind the curtain fabric Protects the face fabric and gives a neater fall
Thermal lining A lining with a coating or backing on the side facing the window An extra barrier behind the curtain
Interlining A soft extra layer sewn between the fabric and the lining A fuller, heavier fall and more thickness
Blackout lining A densely coated lining made to block light Light control, and an extra layer at the window

Interlined curtains are something we make in our workroom, and the extra layer is also why they hang so softly.

Is it the lining or the fit that matters more?

Both count, but fit is the one people overlook. Warm air in a room meets the cold glass, cools and drops, and it can slip out around the sides and under the hem of a curtain that does not seal the window. A heavy lining cannot do much if there is a gap for the air to move through.

Think of a curtain as a second layer in front of the window. It works best when it holds a pocket of still air between the glass and the room.

Vaulted living room with floor-to-ceiling neutral wave curtains along two walls and a grey corner sofa
Wave curtains along two walls

How should thermal curtains be fitted?

The same few points apply whichever lining you choose:

  • Length: to the floor, or very close to it, so cold air cannot flow out beneath the hem.
  • Width: wide enough to overlap the window recess or frame at each side, and to meet in the middle when closed.
  • Position: hung close to the wall and set well above the window, so the curtain covers the whole opening.
  • Fullness: curtains that are generously gathered sit more softly against the wall than flat, tight ones.
  • Heading: a pelmet or a close-fitting heading at the top stops air spilling over the curtain.

Getting these right starts with accurate measurements, so it is worth reading our guide to measuring for curtains and blinds before you order.

Do heavier fabrics make a difference?

A thicker fabric adds another layer, so a heavy wool or a thick velvet will usually feel more substantial at the window than a light linen. A closely woven fabric lets less air pass through it than a loose weave.

That said, weight also brings practical questions. Heavy, interlined curtains need a sturdy pole or track and good fixings, and a lighter fabric with a good lining can suit a smaller window better. This is a conversation to have when you choose the made-to-measure curtains for a room.

Looking up at the pleated heading of a neutral textured curtain on a ceiling track
A pleated heading on a ceiling track

When are thermal curtains most worth having?

They make the most sense where a window is a clear weak point in the room:

  • Large areas of glass, such as a wall of windows or glazed doors.
  • Older windows, including sash and single-glazed windows, where air and cold come through more easily.
  • Bedrooms, where you sit still for hours and notice a cold wall or window.
  • Rooms that face north or east and rarely catch the sun.
  • Front doors and hallways, where a curtain across the door can cut down draughts.

In a small, well-glazed room that is warm already, a standard lining may be all you need.

For wide glazing, there is an example of what is possible in our wave curtains at bifold doors project.

What else helps keep a room warmer in winter?

Curtains work best as part of a few simple habits:

  1. Close the curtains at dusk, before the room loses its warmth, and open them on bright days to let the daylight in.
  2. Check the window itself for gaps. If you can feel a draught around the frame, draught-proofing it will help the curtains do their job.
  3. Draw the curtains fully across, so there is no gap in the middle.
  4. Keep furniture clear of the curtains, so they can close and hang properly.
Long run of textured neutral wave curtains on a recessed ceiling track, along a room with a herringbone floor
Wave curtains along a whole room

Should you choose thermal lining for your curtains?

If a window is cold and you want curtains that feel substantial, a thermal lining or an interlining is a sensible thing to ask about. Choose the fit and the fabric first, then the lining that suits the room.

It is also worth thinking about colour while you are at it: our guide on how to choose a colour scheme for a room is a good place to start when you are picking the fabric itself.

If you would like to talk it through, tell us about the room and the windows, and we will advise on lining and weight.

Questions we're often asked

Short curtains leave a gap at the bottom where cold air can move into the room. Curtains that reach the floor, or very nearly, hold a layer of still air in front of the window far better.

Often it can, because a lining can be taken out and replaced. It depends on how the curtains were made, so it is best to ask the maker who sewed them.

Not necessarily. Thermal lining is about adding a layer behind the fabric. A blackout lining is the one made to block light, and it is a separate choice.

No. Interlining is a soft layer sewn between the fabric and the lining, and it makes a fuller, heavier curtain. A thermal lining is a different type of lining. The two can be used together.

About the author

Sharen Robinson

Co-founder

Sharen Robinson co-founded Sew & Sew Interiors with her sister Suzanne in 2000, after the two of them began making curtains for friends and family.

More about Sharen and Suzanne